A chromatic modulation hinges upon the chromatic alteration of one or more individual pitches, rather than a pivot chord.

The chord V7 is found within which color below?   Note the following if colors are not showing correctly on your computer screen: green: 1st half of measure 2 blue: 2nd half of measure 2 orange: 1st half of measure 3 red: 2nd half of measure 3 yellow: 1st half of measure 4 

The chord shown below functions as vii06/ V in the key of ____ . (Note: please enter your answer as “X minor,” “Y major,” “Z-flat minor,” or “Q-sharp major.” Be sure to include a dash, if needed, and a space.)

The chord VI7 is found within which color below? Note the following if colors are not showing correctly on your computer screen: green: 1st half of measure 2 blue: 2nd half of measure 2 orange: 1st half of measure 3 red: 2nd half of measure 3 yellow: 1st half of measure 4 

The chord III7 is found within which color below? Note the following if colors are not showing correctly on your computer screen: green: 1st half of measure 2 blue: 2nd half of measure 2 orange: 1st half of measure 3 red: 2nd half of measure 3 yellow: 1st half of measure 4 

The chord shown below functions as vii06/ iii in the key of ____ . (Note: please enter your answer as “X minor,” “Y major,” “Z-flat minor,” or “Q-sharp major.” Be sure to include a dash, if needed, and a space.)

The pivot chord in the common chord modulation below is best described as chord number _____ . (Hint: note carefully the key in which this chorale begins)

The three most prominently used chords in the piece below are:  

The chord I7 is found within which color below? Note the following if colors are not showing correctly on your computer screen: green: 1st half of measure 2 blue: 2nd half of measure 2 orange: 1st half of measure 3 red: 2nd half of measure 3 yellow: 1st half of measure 4 

The chorale below [1] by means of [2]. (Note: please be sure to select two answers.)