1.12 Watter een van die volgende dolfyn-liggaamsdele (body parts) pas (does not fit) nie? (1)

Provide the image of your final SELF-PORTRAIT drawing

Please provide your PROGRESS IMAGE; 11:45

2.4 In ongeveer een bladsy verwys na FIGUUR  D  en  E om die ooreenkomste  en verskille tussen die twee Duitse Ekspressionistiese bewegings te verduidelik.   Kategoriseer  FIGUUR D en E in óf die BRÜCKE  of DER BLAUE REITER. Sluit in die gebruik van die formele elemente van kuns en stilistiese eienskappe in jou bespreking. Maak seker dat jy na die puntetoekening kyk.   (16)

1.2 Verduidelik waarom Goldblatt hierdie twee tradisies van kuns op sy foto vergelyk. (2)

3.2 Wat was die doelstellings van die Rorkes Drift sentrum?     (4)

SECTION B:  ISSUES THAT ART ADDRESSES IN INTERNATIONAL ART

2.2   Look at Image C and in a paragraph argue why Image C belongs to the Fauvist movement. Refer to the movement’s stylistic characteristics, such as the formal elements and Fauvist influences that you identify in the artwork in your discussion.   (8)

2.4   In approximately one page refer to Image D and E to explain the similarities and differences between the two German Expressionist movements. Categorize Image D and E into either DIE BRÜCKE or  DER BLAUE REITER.  Include their use of the formal elements of art and stylistic characteristics in your discussion. Make sure you look at the mark allocation.   (16)

1.5 Wire is Oltmann’s main medium for making sculptural works and he manipulates it in a way that emphasises hand-made process. He uses the linear quality of wire to create forms and surfaces through techniques that look like handcrafted weaving, knitting and crocheting. These techniques are traditionally seen as women’s work.  How does his use of this technique and medium create meaning in Image A ? (2)