Early on Collings points out that “looking is something you have to get used to.” Then he compares two paintings that are each made up of abstract shapes. In one the shapes and colors work to create a sense of movement and depth of space. In the other the shapes are flat, stable, and strongly contrast with each other.  But a person can’t just look. There’s more to it than that. What else seems to be involved? 

Collings says that, in general, abstract artists are trying to come up with “some kind of visual metaphor which will be rich enough for what one might call reality.” What might that mean? 

2. Quelle langue a-t-on parlé en France après la conquête romaine ? ô  é  è  ê  à  â  ç  ï  î  ù  û  œ É  È  Ê  À    Ç  Π Ù

Quel était l’ancien nom de la France ? ô  é  è  ê  à  â  ç  ï  î  ù  û  œ É  È  Ê  À    Ç  Π Ù

3. Qui est devenu roi après que les Francs ont occupé la Gaule romaine ? ô  é  è  ê  à  â  ç  ï  î  ù  û  œ É  È  Ê  À    Ç  Π Ù

6. Qui a combattu pendant la Guerre de Cent Ans ? ô  é  è  ê  à  â  ç  ï  î  ù  û  œ É  È  Ê  À    Ç  Π Ù

If a child is born with missing or stunted limbs, which of the following is the mother MOST likely to have ingested during the second month of pregnancy?

According to Piaget, learning involves children

When using the Binet-Simon scale, what is meant by chronological age?                

The classification of people based on national origin or culture is called what?