In Stanley Kubrick’s 2001: A Space Odyssey, when the image of a bone flying through the air cuts to an image of a spaceship, this is an example of a(n) _____.

Which of the following is NOT true about mise-en-scène?

The mise-en-scène of Fritz Lang’s Metropolis fits within the _____ tradition.

The irony of film music in most narrative films is that the best music follows the principle of _____.

In films such as Breathless, Jean Luc Godard innovated the use of [one1], edits that intentionally create gaps in the action. In doing so, Godard violates the [two2] rule of classical Hollywood editing.

In Raging Bull, three years of Jake’s life are condensed into a few minutes, during which black -and-white shots of his violent boxing matches _____ full-color shots from happy home movies.

What film sound contributes most to invisible editing?

What film sound contributes most to invisible editing?

The irony of film music in most narrative films is that the best music follows the principle of _____.

In films such as Breathless, Jean Luc Godard innovated the use of [one1], edits that intentionally create gaps in the action. In doing so, Godard violates the [two2] rule of classical Hollywood editing.