A middle school teacher who is introducing improvisation to a class is establishing some ground rules with students. Which of the following will best safeguard the emotional well-being of the students?

A middle school teacher asks students to write down criteria they could use to evaluate a live performance. The class compiles several of the standards to create a collective rubric. The teacher then performs a short monologue and leads a class discussion to evaluate the teacher’s performance. Which of the following is the mosteffective next step in teaching students to think critically about live performances?

Which of the following is the most developmentally appropriate strategy for teaching middle school students about the professional conduct expected of a stagemanager?

A high school theatre teacher is explaining the conventional hierarchy of theatre staff. Which of the following individuals is most often charged with being the “second in command” of a production, after the director?

A certain middle school’s theatre is a flexible space in which any traditional arrangement of stage and seating for the audience is possible. Which of the following terms best describes this type of theatre?

Dramatic literature from the aesthetic movement known as Realism expresses which of the following ideas about human behavior?

 A beginning theatre arts teacher is instructing a class about how to hang lighting equipment. To promote efficiency while maintaining the safety of all students, which of the following is the most appropriate instruction for the teacher to give the students?

A middle school theatre teacher has selected a play for the school’s fall production and has received school leadership approval for the title. Which of the following preproduction tasks should the teacher complete first?

Several members of a high school theatre class have expressed an interest in learning more about opera and operatic performance. However, the school choral program does not specifically teach operatic music. Which of the following is the best way for the students to further their experiential appreciation of opera as a theatricalart form?

 Which of the following best describes a scenic design that is crafted to look and function as a scenic locale in the real world?