1.3 Explain for both FIGURE 1 A and FIGURE 1 B the possible reaction of the viewer because of the impact on his/her senses as mentioned in Question 1.2. 2

2.6 Skryf ʼn paragraaf waarin jy die volgende aspekte van die werk bespreek (FIGUUR 2b): ·      Onderwerp ·      Ruimte ·      Vorms ·      Dekoratiewe eienskappe ·      Betekenis   5

“Outstanding art – or good art – is when you look at it and experience it, it stays in your thoughts. I do not think that conceptual art and traditional art differ so much from each other. There is boring conceptual art and there is boring traditional art. Outstanding art is when you cannot stop thinking about it which then makes it remembrance.”   – Damien Hirst: Kuns is kinderagtig en kinderlik, The Guardian, 26 September 2010   2.4 Distinguish shortly between traditional art and conceptual art. 2

3.1.1 This type of lighting is used to highlight art objects or special structural features. (1)

2.2 Compositional explain where the viewer must place himself or herself to see the work. 3

1.3     Verduidelik vir beide FIGUUR 1 A en FIGUUR 1 B, die moontlike reaksie van die kyker vanweë die inmpak op sy/haar sintuie soos genoem in Vraag 1.2.          2

1.4 Artist Andy Goldsworthy say that he thinks the choice of the medium for his country-art (FIGURE 1A) is “brave”. Do you agree? Supply reasons for your answer to support your argument.                      2

3.1 The Namib desert is located on the …….coast of southern Africa (1)

1.5 Hatoum’s work, Entrails Carpet, FIGURE 1 B, is confrontational and does not give the viewer a “save home”. What messages do you think the artist is trying to confront the viewer with? 2   TOTAL QUESTION 1 10

3.2.2 These rooms provide space for sleeping, resting, grooming and dressing. (1)