During the Swing Era, combo jazz… was recorded and practi…
During the Swing Era, combo jazz… was recorded and practiced less frequently than at other times in jazz history. was mostly visible in small clubs on 52nd Street in New York and as a “band within a band” during performances of big bands. usually appeared as accompaniment to vocalists.
Read DetailsColeman Hawkins’ playing featured… harmonically oriented…
Coleman Hawkins’ playing featured… harmonically oriented arpeggiated melodic material and a light, near vibratoless tone. asymmetrical lyrical melodic phrases and a light, near vibratoless tone. harmonically oriented arpeggiated melodic material and a large tone featuring a wide vibrato. asymmetrical lyrical melodic phrases and a large tone featuring a wide vibrato.
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